#Artrage 5 news full#
#Artrage 5 news free#

In my workshop I have a circular saw, reciprocating saw, power drill, and all manner of chisels, hammers, set-squares and the like. And if you want to do that thing, by all means get the application that does it best. There are other applications which do what they do exceptionally well.

#Artrage 5 news full#

It's about having a full range of tools and utilities to help with the creative process. The User Interface is all about getting you into the creative mindset and keeping you there. Regarding other paint applications: Painting is more than just one particularly good simulation. They have the infrastructure and support to produce absolutely mind-blowing technology. I use Photoshop myself - I imagine their natural-media painting will also be amazing. Adobe are an awesome company which makes phenomenal tools. Well done, guys - you must be very proud. And here's a picture of Tycho, the ArtRage Mascot catĬongratulations to Adobe for finally catching up to where we were 20 years ago. Not actually proof - just making you jealous. You missed your chance! If you need to know anything check The ArtRage Forums Proof I'm me: The ArtRage Twitter account twitting that I'm here. Ask me anything about ArtRage, New Zealand, being red-colour-blind, or why Nisha is the best Borderlands Pre-sequel character. Wrote ArtRage 2 through to ArtRage 5 Now I'm 51 years old, working from my home-office in Auckland, New Zealand. Wrote various Photoshop plugins for Digital Anarchy.

Wrote the natural paint for Jasc Paintshop Pro.

Founded Ambient Design Ltd in 2000 with Matt Fox-Wilson. Wrote KPT5, KPT6, and KPT Effects for MetaCreations/Corel. Wrote 4D Paint (3D painting application, later called Deep Paint) in 12 months while working in a soul-destroying database job. Waaaaaat?) Worked for various hardware companies like IBM and Compaq. Started coding in 1982 on a BBC Micro with 32KB ram (10KB - 20KB of which was taken up by video memory.

#Artrage 5 news free#

The lecture is free and open to current students, faculty and staff.MiniBio: Left school aged 17 to work in an underground power-station. The task of the team, Makhuba said, was “to engage with what students felt were offensive overwhelming visual signifiers of the violent histories of colonialism and apartheid at the institution.” It was found that curation was the key to changing the way offensive artworks were experienced, especially by black students and academics. In response, the university created an Artworks Task Team. Her work in the area is inspired by the 2016 Shackville Protests, during which several pieces of UCT’s expansive art collection were burned on campus. She will examine how offensive artworks are experienced by affected groups in South Africa, echoing the response to Confederate memorial statuary in the United States. Makhuba’s lecture will explore the complexities of curating art, not in controlled institutional exhibition spaces, but in volatile and conflicted “post-apartheid” public spaces such as campuses and cities.

The lecture, “ArtRage and the Politics of Reconciliation: Decolonizing Curatorial Practice in South Africa,” is co-sponsored by UD’s African Studies Program, the Center for Global and Area Studies and the College of Arts and Sciences’ Paul R. Currently, her research focuses on African popular culture, photography, interventionism, live art and socially engaged art. 30, in Room 202 of Old College Hall on the University of Delaware’s Newark campus.Makhuba teaches art history and visual culture at the University of Cape Town (UCT) in South Africa. South African art historian and artist Nomusa Makhuba will speak about how art signifies inclusion at 5 p.m., Monday, Oct.